Bloodeye

  BLOODEYE

  Craig Saunders

  First Edition

  Bloodeye © 2014 by Craig Saunders

  All Rights Reserved.

  A DarkFuse Release

  www.darkfuse.com

  This book is a work of fiction. Names, characters, places and incidents are either a product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales or persons, living or dead, is entirely coincidental.

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  Other Books by Author

  Deadlift

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  For Brother Shadow and the Black Dog.

  Till next we meet.

  Acknowledgements

  Firstly, I’d like to thank you, for reading this. You’re very kind. I’ll try not to blub, much, but I’m touched. *Sniff*

  Secondly, Mrs. S. She’s a great wife, and understanding as hell. It takes a lot, I think, to live with someone who spends their life in the shed bashing a keyboard. Or, maybe, she just likes it when I’m out of the way…hmm.

  Lastly, a massive thank-you to DarkFuse.

  Shadow: noun

  1 a dark area or shape produced by a body coming between rays of light and a surface

  2 used in reference to proximity, ominous oppressiveness, or sadness and gloom

  3 an inseparable attendant or companion

  I. Anhedonia

  Some days it gets so hot you can’t think about anything but sweating. You walk and sweat. You sit and cool. Your head pounds with dehydration from the beer in the sun. And the heat? The heat goes on. It’s a heat wave, they say. Take it slow.

  But you can’t take it slow, because you’ve got to run.

  You run when the sun goes down because it’s a little cooler. Sweat pours, still, even though the moon is bright above the cityscape. It’s cooler, but it’s hot enough, and it’s going to stay that way. Salt crystals on your thighs rub you sore. You change your gait, but you don’t stop. You can never stop.

  You run because you’re a runner. Same as a fighter fights.

  Running is just fighting with yourself. A fight you can’t win, you can never win, you can never run out on. It’s always there, inside you, burning you up. So you sweat it, starve it of air and sustenance and even, when you reach the void, of thought.

  You kill it with every mile your sneakers pound on pavement, road, dirt, grass. Stamp on it, time and time again.

  And when you stop, it will catch you.

  So run.

  Run.

  1

  The smell hit Dan Howard as he opened the door. He coughed, blinked, stepping from the bright burning morning light into the dark interior of The King’s Arms. He pulled off his sunglasses a little too late to notice the flood of sewage. He trod on a sodden piece of toilet tissue wearing nothing on his feet but flip-flops. Wet, stinking shit-water hit his toes. Surprisingly, it was cool. His first thought: Cool shit.

  Secondly, just: Shit.

  2

  Dan Howard didn’t want to be tiptoeing through a flood of shit first thing on a Monday morning in the middle of a heat wave.

  Keane Reid didn’t want to be cleaning up shit, period. He was tired of cleaning up shit. It was what he did for a living, though, and when the boss called him at 6:24 a.m. precisely (according to Keane’s digital clock), he answered politely enough on the telephone by the bed. Then he hung up the telephone, swore clean, turned to his wife. Then? Then he swore dirty, because his wife was seven years dead and there was no one and nothing there but a Teresa Reid–shaped hole.

  He pushed himself out of bed.

  Downstairs in his simple kitchen in his simple house, Keane ate breakfast. He always ate a big breakfast, a big lunch, and a small dinner. It was just the way he did it and it worked for him just fine. He didn’t put weight on, or lose weight. His weight, by and large, took care of itself. Forty-five years old, with the metabolism of a teenager, pretty much.

  Muesli, two rounds of toast with one egg (poached—he wasn’t an idiot), and an apple, which he ate with a knife, dissecting it slowly and chewing each slice while thinking about the day ahead. Work, eat, work, eat, sit, run, shower, sleep…repeat.

  “I’m bored,” he said to no one, through a half-chewed slice of green apple.

  That was the problem, he figured. That was why he didn’t want to do anything much. The only joy in his life was running. Six nights a week. The weather didn’t matter, nor coughs and colds (which for Keane were rare anyway). He didn’t have a social life. Didn’t want one. He wasn’t interested in television, or dating, or reading. Sometimes, when the quiet in the house became unbearable, or if he couldn’t sleep at all, he listened to the radio. But very little else.

  There was nothing but miles and miles ahead for Keane. His kind of running didn’t have an end, or a finish line. He didn’t time his runs. It wasn’t training. There wasn’t a marathon at the end of it, a shiny blanket to warm him up. Nothing could do that.

  He ran so he could sleep. If he didn’t run, he worried he might just sit. Sit, endlessly, forgetting to eat and work and sleep, staring out at the garden and the birds, watching the seasons go by, his hair and beard growing and his limbs turning to stone.

  That’s what you’re doing anyway, said a voice from his past. He wanted to tell that voice to get fucked and leave him to his thoughts. But the voice was his thoughts, and it was right.

  He was turning to stone.

  He was dying. Not so anyone would notice. Maybe he’d keep on running until he was fifty, or seventy, or a hundred. But somewhere out on the city roads, he’d died inside. There was no way back.

  Maybe that’s what you’re running for. What you’re searching for…? The way back?

  “Maybe,” he told the voice in his head.

  Keane took a deep, easy breath through his nose and got out of the kitchen chair. He turned away from the garden and the early birds chirruping and eating cheap seeds on the feeder.

  With a dull kind of resignation, he rinsed the bowl, plate and utensils, then left them on the draining board to put away later.

  He took a good look at himself in the mirror in the hallway. The gray and the deep lines in his skin didn’t bother him. But the emptiness in his eyes caused him to look away.

  He still hadn’t found the way back.

  Keane Reid closed the door behind him and got in the company van on his short driveway and headed off to work.

  3

  Keane stepped into the pool of sewage that covered the floor of The King’s Arms, light into dark, and thought, Who you gonna call? Shitbusters!

  He wasn’t wearing flip-flops, but heavy boots that made his feet sweat and stink. He wasn’t sure he was any better off than the poor lad who’d met him at the door to complain about his reeking feet.

  The entire floor, it seemed, was flooded. Keane clenched his teeth, not too worried about the smell, and headed off to the toilets. He’d been in The King’s Arms years and years ago, back when he’d been a drinker and a smoker. He hadn’t been in a pub, he figured, for at least thirteen years—the entirety of the current millennium. Seemed like a long time, but he figured around thirty years old, give or take. When
he got married? Was the last time his wedding reception?

  Might well be.

  He put the thought, tinged with regret and not a little pain, to one side as he pushed the door to the bathroom open and headed inside. He had to push hard, and as he did a second flood hit his feet; this time above his boots.

  Should’ve worn waders.

  Too late to do anything about it now. The insurance on the pub would pay for a refit. This wasn’t a mop-and-bucket job.

  He saw the problem immediately. One of the toilets was utterly destroyed. Fragments of porcelain, large and small, sat in deep pools of murky water. It looked as though someone had taken a sledgehammer to the toilet bowl and cistern—a modern, square thing, he imagined, looking at the toilets in the other stalls.

  Who the fuck would smash up a toilet just to flood the pub?

  “Fuck it,” he said quietly to himself. He wasn’t the police, or the insurance investigator. And, he realized, he felt so goddamned low he could barely find it in himself to care one way or the other.

  His job, his only job, was to get the water to the building turned off at the mains out on the road, and go to his next job. This wasn’t a fixer-upper. The insurance could sort this out. Satisfied enough, Keane turned back to the door. Just to the right of the door, a young girl’s corpse was nailed halfway up the tiled wall.

  4

  Sometimes, in the maw of the black dog, a depression can be so deep that thought and feelings can’t find their way loose. Some people call it a black dog, hounding them. Some people describe it as a pit, one that’s dark and dank and bottomless for those within, low enough that you can see nothing but a small pinprick of unattainable light far above.

  Keane stared at the girl. Nothing more. He didn’t shriek or puke or shout or cry. Stared, took it all in. Almost like he was taking a photograph with his mind. Tucking it away for later nightmares.

  She wore a white shirt and black trousers, like maybe she’d worked in the pub. Sensible black shoes that a girl wouldn’t wear unless she was restricted to boring footwear by regulations. Almost definitely worked in the pub. No rings (her hands, palms out, were clean and free of adornments). Nails, thick square long timber nails, had been driven, pounded, through her wrists.

  The wounds were torn, and there was a lot of blood both up the arms of the girl’s white shirt, down the tiled wall, but not on the floor, because of the water. The water beneath the girl was a little rusty, maybe, from blood mingled with the shit-water.

  She’d been nailed up, wrists first…less blood on her feet (nails through the ankle bones, it looked like—her feet and legs were twisted to one side). She’d bled a lot from the first wounds, less from the feet. Maybe unconscious by then. But not dead? A body didn’t bleed as much dead as alive.

  Keane figured this as he stared at the body on the wall. Click, click, click. Each shot a nightmare, but not waking nightmares, because he was unmoved. Cold inside, like he was dead himself.

  He stood in the sewage, staring up. He didn’t know how long he stood, taking mental pictures of the tableau. The girl’s blonde hair, elaborately held up with pins, some hair loose and hanging down across her face, obscuring the girl’s features and eyes almost well enough to hide the fact that someone had taken her eyes out. Gouged, maybe with fingernails. There were marks on her cheeks, her eyelids were torn. Vicious.

  Strong, too. Who could hold a living person halfway up a wall and still drive nails through bone, into a brick wall?

  Click.

  Pull out her eyes with their fingers?

  Click.

  God, I hope she was dead, he thought. I hope she was dead by then.

  And, as he stood in the pool, cool water seeping over the top of his work boots, his mind finally shifted into thinking. The person who killed her didn’t need to be that strong…if it had been the work of more than one person.

  Fuck.

  A gang? Didn’t have much call for gangs in the south side of Norwich. Maybe some kind of wannabe white gangster types on the north side, wearing their trousers slung low and their caps sideways, but not so much on the south side, where most of the money was. The King’s Arms, too, was a nice pub in a nice suburb. Not the kind of place that needed a doorman on a weekend night. More food than drink sold, probably.

  More than one, then, he thought. More than one killer.

  He didn’t know why he was thinking about this. It wasn’t his game anymore. He’d left that game. Left it behind when Teresa had died.

  Been killed, honey, she said in his head.

  Click, he thought.

  He hadn’t seen a dead body in seven years. But he knew how it worked. Knew the angles, and how the police and the circus would swarm.

  Lift her hair, he would say now. Someone would lift her hair, and click, he’d take her face for the camera, for the police, the court.

  He didn’t know why he did it, but he found himself standing before her, looking up into her face, head hanging loosely upon her chest.

  Most people, he remembered from his past, used to asphyxiate as they tired and their heads were pulled against their chest. Found out a lot about death, had Keane, over the years. Like that pleasant snippet he’d tucked away from a book he’d read about crucifixion.

  So, like a photographer at a scene, he looked up into the girl’s pretty, dead face, to see what it was that was tickling at him, tickling the whole time. That there was something else.

  And yes. There was. There, under her fringe. Carved in her forehead.

  An eye. The third eye.

  He jumped back like a man who’d seen a ghost, and his bastard mind said click click click as he remembered Teresa.

  The third eye, carved into his dead wife’s forehead.

  The eye that spoke to him.

  And, at that thought, the eye opened.

  5

  The girl was dead. She was sightless. But that third eye saw Keane Reid very well. Because someone had carved it there, in the girl’s flesh, for Keane. Killed and crucified the girl. Created the flood, had him called.

  Power. Thought. Cunning.

  The third eye blinked and the girl smiled.

  “Keane,” she said, her voice husky and empty and devoid of breath. Her throat ragged from screaming as she died, but nonetheless, she spoke. She saw.

  Keane stepped back, heavy boots splashing in the water. Run, his mind said. Run, said the voice of his murdered wife in his head. But he couldn’t. His legs were weak. His heart beat like he was out of breath from running long and hard, but he wasn’t. His breath was steady. His heart pounded alone. And, realizing he was just afraid, he gulped in air, one great shuddering gasp.

  “Keane,” said the dead girl. But it was just a voice in his head. Just in his head.

  “I missed you,” she said.

  “I fucked your wife’s dead skull, Keane,” said the voice that was in Keane’s head.

  I’m having a breakdown again, he thought. But he knew he wasn’t.

  Just as no matter how many times he told himself the dead girl wasn’t speaking in his voice, it wouldn’t ever be true.

  He was here. He was back.

  If he replied, though? It might make it true.

  It’s true, honey, said his wife. He fucked me in the head and I liked it.

  “No.” His voice. Weak, but his.

  “She liked it, Keane. She liked it. She liked it plenty.”

  “No,” said Keane again. He shook his head. His voice was quiet, robbed of power by horror and fear, just like his legs, barely holding him above the sewage.

  He tried to summon the strength to banish him. To shout, to run, to flail, even, with fists and feet at the body on the wall. He could do nothing.

  “I’m starting again,” said the cold, dead voice. “I’m starting big, Keane.”

  “No,” he said again in that quiet, fearful denial that was the best he could manage.

  NO, his mind shouted, like in the grip of a nightmare, unable to scream and reduce
d to savage mumbling and thrashing tangled in his lonely bed.

  “I’m coming back, Keane, and I’m strong now. Stronger. You’ll see.”

  “NO!” Keane shouted. He found it: his rage, down there in the pit. That black pit, in the belly of the black dog, where it lurked.

  “FUCK YOU!” he roared and threw himself at the dead girl with the cold, dead voice and with all his strength tore her from the wall, sickening bone cracks coming from her wrists and ankles. The corpse fell face-first into the sewage.

  The eye is blind.

  Relief washed over him. The cold shivers hit; shock.

  Adrenaline fled.

  The door crashed open and the young barman, Dan Howard, burst through into the toilet.

  Shock on both their faces, but only for a moment.

  Dan Howard fell face-first into the water, dead already. The back of his head was sheared clean off from crown to neck.

  6

  How do you escape a creature, a beast, a man like him?

  You run.

  Run.

  Keane broke for the door, leaping over the sprawled body, and ran. He ran, his feet now soaked from the filthy water seeping over the top, sloshing to the front door, out into a blast of heat that dried the membrane in his nostrils and hit him hard, like a punch to the chest. But he didn’t stop running, didn’t think of his knees and hips shuddering in his boots, ill-suited to his lengthening stride. He ran, forgetting his tools and van. A primal urge, the most immediate option open to him. Distance and speed were all that mattered. Not direction, not yet. Just run, run, run.